Jellyfisheyes

As everyone knows, the amount of natural light available at a given time depends on the weather. In order to prevent such conditions from interfering with the desired mood for each scene, we often wait until conditions are just right. When the sun disappears behind a cloud, we wait for it to clear “Weather wait!” comes the shouts from the lighting and photography staff who are busy gazing upward with a special lens that measures sunlight intensity. “3 minutes!” “Wait, make that 5!”

The weather changes everyday – sometimes completely clear, sometimes cloudy, sometimes rain. Deciding which scenes to shoot becomes like putting together a puzzle. Today it’s been non-stop clouds. However, the absence of rain means that we’re still pushing ahead at a steady pace. Master YU will now use his psychic powers to make the clouds fly away. I guess this really is a set where we rely on faith.

Location shooting began early today.
The grounds were still wet from the previous night’s rain.

Looking through the viewfinder, it’s easy to spot puddles. They’re out of place for this scene, so we take a couple of minutes to soak them up! Everyone on set goes to work with a sponge! Chief Shiozaki could be heard saying he was proud to be cleaning water.

Field of Dreams… not quite. It’s Japanese rice fields. Nagano-san and an Nishimura-san set the angles.

Nagano-san puts on some high boots and walks in the muddy patches between rice stalks.

They were constantly consulting on each shot.

This group is discussing a different set of procedures. From left: Date-san, Saito-san, Kodama-san, and Dai-chan with the peace sign!

We had lunch together on the side of a bridge.

When we began location work, it was right after rice-planting season but now it’s already time for harvest. There were scarecrows everywhere.

And then began the grey clouds. However, Master YU’s psychic powers kept it from raining once again.

Art Driver Jin Yokoyama

Still photographer Yoko Matsuyama.

Action assistant Shu Fujiki.