8/6 Production Snapshot Diary
August 12, 2012
Photo Mana Shiraishi
And now the on-set shooting as started as well here at Nikattsu studios in Chofu! We’re working in Studio 12.
Photo Takashi Murakami
Nikkatsu has been around for one hundred years! So much history!!
Photo Mana Shiraishi
The red lamp is lit during actual shooting. The blue lamp is lit during testing. Entrance is forbidden!
Photo Masanori Kobori
2nd assistant director Yuki Kishizaku checks over the storyboards. For part 2, we have had to change just about everything on site (s-sorry everyone…). The production team has had to worry about context and consistency and has done their best to communicate all this to the actors when I can’t. Sorry for making this so hard for everyone.
Photo Masanori Kobori
Double 2nd Assistant Director Toyohiro Miyatajoins us from today!!
Photo Mana Shiraishi
Because it’s such a tight set, every move by the actors has to be calculated and the amount of preparation time necessary is constantly increasing.
Photo Mana Shiraishi
A gift from producer/assistant director Nishimura.
Photo Mana Shiraishi
The foundation holding the set together.
Photo Mana Shiraishi
No shoes allowed on set.
Photo Mana Shiraishi
Checking props on their iphones! On the left, stylist Kazuki Yunoki, on the right special effects staff Yuta Okuyama, and in the middle assistant to the stylist Manami Ohsumi.
Photo Mana Shiraishi
Art director Takashi Sasaki. Sasaki-san has worked in the past on “Moteki“Ten years ago, we also worked together on my short film “Inochi”.
Photo Mana Shiraishi
From left assistant sound recorders Hiroki Kunihito and Tomohito Nakagawa.
Photo Mana Shiraishi
The special equipment team. From left to right Watanabe-san, Kaoru Hashimoto-san, Aiko-san. Here, they are supplying wind to give the set life.
Photo Masanori Kobori
Equipment operator Tsunenobu Tsukimura. In full concentration as he operates a crane.
Photo Mana Shiraishi
The green screen is for composite shots. Here we see camera crew chief Mio Nakajima. She supports DP Nagano by keeping everyone on their toes with regards to angles and lighting.